Oil On Canvas, Real Flavor of Old Masters

All Giotto 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
42609  
Bewening of Christ, Giotto
 
 Bewening of Christ   MK169 detail of 9.80 Fresco 231x202cm
62953  
Design sketch for the Campanile, Giotto
 
 Design sketch for the Campanile   1334 Parchment Museo dell'Opera del Duomo, Florence This plan shows the design for the bell tower of the Florentine cathedral. It most probably stems from Giotto, who was made "capomaestro" in the year the foundation stone was laid. Only the lowest storey was built according to this plan. Artist: GIOTTO di Bondone Painting Title: Design sketch for the Campanile , 1301-1350 Painting Style: Italian , , religious
1783  
Detail of an Angel, Giotto
 
 Detail of an Angel   1305-13 Arena Chapel, Padua
51729  
Detail of Joachim-s Dream, Giotto
 
 Detail of Joachim-s Dream   nn09 c.1305-13
51727  
Detail of the Flight into Egypt, Giotto
 
 Detail of the Flight into Egypt   mk009 c.1305-13
51730  
Detail of The Lamentation, Giotto
 
 Detail of The Lamentation   nn09 c.1305-13
51757  
Detail of the Last Judgment, Giotto
 
 Detail of the Last Judgment   NN09 c.1305-13
51728  
Detail of the Presentation at the Temple, Giotto
 
 Detail of the Presentation at the Temple   nn09 c.1305-13 Fresco
29694  
Madonna and Child Enthroned among Angels and Saints, Giotto
 
 Madonna and Child Enthroned among Angels and Saints   mk67 Tempera on panel 127 15/16x80 15/16in
29695  
Madonna and Child with SS.Nicholas.john the Evangelist,Peter and Benedict, Giotto
 
 Madonna and Child with SS.Nicholas.john the Evangelist,Peter and Benedict   mk67 Tempera on panel 35 13/16x133 7/8in
55910  
Noil me tangere, Giotto
 
 Noil me tangere   mk247 1304-06,fresco,78.5x72.5 in,200x185 cm,capella degli scrovegni(arena chapel),padua,ltaly
55908  
Presentation of the VIrgin ar the Temple, Giotto
 
 Presentation of the VIrgin ar the Temple   mk247 1304-06,fresco,78.75x72.75 in,200x185 cm,cappella degli scrovegni,padua,ltaly
32514  
Recreation by our Gallery, Giotto
 
 Recreation by our Gallery   mk79 1304-1306
1788  
Saint Francis Giving his Mantle to a Poor Man, Giotto
 
 Saint Francis Giving his Mantle to a Poor Man   Upper Church of San Francesco, Assisi
1787  
Scenes from the Life of Christ  1, Giotto
 
 Scenes from the Life of Christ 1   Arena Chapel, Padua
1784  
Scenes from the Life of Joachim  1, Giotto
 
 Scenes from the Life of Joachim 1   1305-13 Arena Chapel, Padua
1782  
Scenes from the Life of Joachim  4, Giotto
 
 Scenes from the Life of Joachim 4   1305-13 Arena Chapel, Padua
1776  
Scenes from the Life of the Virgin, Giotto
 
 Scenes from the Life of the Virgin   1305-13 Arena Chapel, Padua
1777  
Scenes from the Life of the Virgin, Giotto
 
 Scenes from the Life of the Virgin   1305-13 Arena Chapel, Padua
1778  
Scenes from the Life of the Virgin, Giotto
 
 Scenes from the Life of the Virgin   Scenes from the Life of the Virgin The Flight into Egypt
1781  
Scenes from the Life of the Virgin  11, Giotto
 
 Scenes from the Life of the Virgin 11   1303-05 Arena Chapel, Padua
1780  
Scenes from the Life of the Virgin 1, Giotto
 
 Scenes from the Life of the Virgin 1   1303-05 Arena Chapel, Padua
1790  
St.Francis Mourned by St.Clare, Giotto
 
 St.Francis Mourned by St.Clare   Upper Church of San Francesco, Assisi
55907  
St.Francis Receiving the stigmata, Giotto
 
 St.Francis Receiving the stigmata   mk247 1297-99,fresco,106.75x90.5 in,270x230cm,
1786  
The Ascension, Giotto
 
 The Ascension   1305-13 Arena Chapel, Padua
51702  
The Ascension, Giotto
 
 The Ascension   nn09 c.1305-13
55911  
The Betrayal of Christ, Giotto
 
 The Betrayal of Christ   mk247 1304-06,fresco,79x73 in,200x185 cm,cappella degli scrovegni,padua,ltaly
45498  
The death of the knight of Celano, Giotto
 
 The death of the knight of Celano   mk186 1297-1300 Assisi, San Francesco, waiter church
1789  
The Devils Cast Out of Arezzo, Giotto
 
 The Devils Cast Out of Arezzo   Upper Church of San Francesco, Assisi
1791  
The Doctors of the Church, Giotto
 
 The Doctors of the Church   Upper Church of San Francesco, Assisi
1775  
The Lamentation, Giotto
 
 The Lamentation   c1305
1785  
The Last Judgment  1, Giotto
 
 The Last Judgment 1   1305-13 Arena Chapel, Padua
1774  
The Madonna in Glory, Giotto
 
 The Madonna in Glory   1310 Galleria degli Uffizi, Florence
55909  
The Meeting at the Golden Gate, Giotto
 
 The Meeting at the Golden Gate   mk247 1304-06,fresco,79x73 in,200x185cm,capella degli scrovegni(arena chapel),padua,ltaly
33252  
The Raising of Drusiana,Cappella Peruzzi, Giotto
 
 The Raising of Drusiana,Cappella Peruzzi   mk83 c.1320
42608  
The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera, Giotto
 
 The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera   MK169 details of the fresco decoration ca.1304-13 Scrovegni-chapel Padua

Giotto
Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.



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